Oil Landscape Painting Tutorial Barn in Misty Autumn Forest with River using Palette Knife

Click to Watch Video
5767
views
55:42
32 Comments
7BSbHbB8EWU

Oil painting techniques and tutorial for beginners. In this tutorial you will learn on how to paint misty Autumn forest with barn and river using palette knife in oil painting. You will also learn on how to add shades and techniques of palette knife. Please hit like, add some comments and subscribe for more videos.

Oil Paint Colors:

Titanium white
Phthalo Blue / French Ultramarine / Primary blue
Cadmium Red / Brilliant Red
Cadmium Yellow / Primary Yellow / Lemon Yellow
Burnt Umber

Brands: Winton Oil Color, Talens Oil Color, Louvre Oil Color, Grumbacher Oil

Brushes:
Natural Bristles, Filbert Brush Nylons or Synthetic

Palette Knife, smaller is better.

Mediums:
Linseed Oil and Turpentine
You can mix turpentine with Linseed to make it as medium.
It will make oil paints dry faster

Gesso as primer

Thank you for watching.
Click to Subscribe:
https://www.youtube.com/channel/UC8OPkyzc3my3ILZa31GVQ7A?sub_confirmation=1

Become my Patron: https://www.patreon.com/jmlisondra

Website: www.jmlisondra.com
FB Page: https://www.facebook.com/jmlisondraArts
FB Group: https://www.facebook.com/groups/paint...
Twitter: https://twitter.com/artjoma
G+: https://plus.google.com/+JohnmagneLis...
Instagram: https://www.instagram.com/artjomalis/
Pinterest: https://www.pinterest.com/jmlisondra
Email: magnean18@gmail.com

Donate: https://www.paypal.me/jmlisondra

Background Music:

Prelude No. 23 by Chris Zabriskie is licensed under a Creative Commons Attribution license (https://creativecommons.org/licenses/...)
Source: http://chriszabriskie.com/preludes/
Artist: http://chriszabriskie.com/

#oilpainting #oilpaintingtutorial #paintingtutorial #jmlisondraArts #johnmagnelisondra #paletteknifepainting #painting #howtooilpaint

Leave a Reply

Your email address will not be published. Required fields are marked *

32 comments on “Oil Landscape Painting Tutorial Barn in Misty Autumn Forest with River using Palette Knife”

  1. MARAVILHOSO TRABALHO!!!
    LINDO ADOREI, OBRIGADO...
    🙏♥️🥰
    TENHO 63 ANOS E COMEÇEI A PINTAR, COM TINTA A ÓLEO NO INÍCIO DO ANO.
    JÁ PINTEI ALGUMAS TELAS E APREDI CONSIGO, OBRIGADO PELOS VÍDEOS MARAVILHOSOS QUE POLITICA... 👌👍
    🙏♥️👏🙏♥️👏🙏♥️👏
    SOU DE PORTUGAL 🇵🇹
    MAS ESTOU NA ALEMANHA 🇩🇪
    Se pode-se gostaria de partilhar consigo, o que já consegui pintar.

    1. Good luck but keep in mind you don’t learn to paint (any kind water, oil, acrylics, etc) in a day or a decade of days. It is a lifelong lesson. Painting requires daily work, doesn’t mean it’s work that you won’t enjoy but it’s the discipline and the time to become a decent painter. There are people who are born to paint, and can produce beautiful artful paintings without having had a class. That said, they spend the rest of their lives perfecting technique. Anyone can slap paint on a canvas and say they painted. Maybe they can paint the side of a house or a wall but not be an artist who conveys emotion in their work. Painting must be lots of emotion conveyed to the canvas and to the viewer or it’s just flat — no soul or energy.

  2. Love the misty barn in the distance. Liked hearing the chickens in the background - reminds me of when we had about 30-40 hens and selling eggs.

    Please try to slow down in speaking. Sometimes when you speed up — it sounds like a foreign language not English and is difficult to catch what you are saying. Thank you.

    Did you tint your canvas green??? You might have said it but I couldn’t catch when you were talking about canvas.

    It’s lovely, but would like to see how it looked with more tonal layers to create more depth. If the color varied from very pale back before the barn, etc but then had darker working up to the front trees and grass, ie darker and darker as you work forward — it would be full of depth. Here we have (besides the sun lit area) basically 2 layers, because the back layer is pretty much one color, not very much color change to indicate closer layers and then there are the three foreground trees pretty much all the same tonal value.

    Just my thoughts viewing it. Also some drooping Spanish moss would have been nice. Southern US swampy areas like in Everglades, Georgia, Louisiana, Mississippi, etc have that a lot. Don’t overdo, just some. And before you left the background with the sun - some rays would be nice. I wouldn’t get carried away with waterlines out in the water or highlights — the water is still in swamps - unless there is a waterfall.. little unusual too. But same with highlights in front of trees — it’s painted with the sun behind the trees — misty foggy swamps are shady and deep except right where the sun comes through.

    Also is the orange to be flowers or leaves — looks like flowers like an orangey wisteria. Might looked more natural by putting oranges, reds and browns under or mixed in with the flecks of green.

    I think your freudian slip of calling leaves flowers is how you painted them - they almost look like orange wisteria to me. I think it looked more realistic before you added so much orange. It messed up the mood — to me anyway. If there had been layers coming through (darker and darker trees) with leaves with muted color up to a bit of vibrant color in the very front trees in the foreground — might have worked better for me. Or not much green at all - just using brows with touches of red, orange and just flecks of green for leaves that haven’t turned all the way.

    But still a lovely painting and lots of nice tips.

Subscribe
to our newsletter


apartmentenvelope